par May Chehab, Professeur de littérature française et comparée, professeur Jean Monnet d'Histoire de l'Union européenne au Département d'Etudes françaises et européennes à l'Université de Chypre.

Physical description 2 v. (1096 p.) ; 25 cm. In such a way, we sense the complexity of the web of East-West relations implied both in Mishima’s reading of his own culture (specifically with regard to the impact of the West) and in Yourcenar’s interpretation of that reading.11 This passage is not included in the 1991 Pléiade version of 12 In fact, Maindron criticizes the French writer for unilaterally depicting Mishima’s life (and death) in abstract generalizations, as she chooses to present her troubled Eastern subject as an idealized, transcendent being. - 141 p. ; 18 cm.

L'Antiquité dans l'oeuvre de Marguerite Yourcenar : littérature, mythe et histoire. (Stanford users can avoid this Captcha by logging in.

Marguerite Yourcenar, Archives du Nord. Unknown I am not yet weak enough to yield to fearful imaginings, which are almost as absurd as illusions of hope, and are certainly harder to bear. Regarding her strong interest in Japanese culture, she was intrigued by the polemical and ostentatious Japanese writer, Yukio Mishima, and her 1980 text, 3 Obviously, the nature of homosexuality in Yourcenar’s work is a rich and engaging topic; on this question, see Judith Holland Sarnecki and Ingeborg Majer O’Sickey, 4 On the general influence of Eastern cultural philosophy in the novelist’s work, see Yinde Zhang, “Perspectives orientalistes: Marguerite Yourcenar et le taoïsme.” 6 Describing Yourcenar’s collection of Eastern-based stories (7 On the specific juxtaposition of sexuality and Eastern motifs in Yourcenar’s work, see Patrick Laude, “La Connaissance orientale et le féminin chez Marguerite Yourcenar.” 8 Actually, this histrionic event did not go exactly as intended—the man whom Mishima had designated as his second, who was to complete the ritual by beheading Mishima after his evisceration, was unable to carry out his task effectively, and, in a truly grotesque fashion, was only capable of hacking gruesomely at Mishima’s neck and shoulders.
Marguerite Yourcenar.

', 'Do not mistake me. - Madrid : Alfaguara, 1987. )Available to students, faculty, and staff, by special arrangement in response to COVID-19.

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Urteurren orok, joan zitzaigun hura berriro ekartzen digu. Marguerite Yourcenarren jaiotzaren mendeurrena ospatzen dugun honetan, bere obran bizi diren pertsonaia andanak eta ahots ugariak —gizonezkoenak gehienak— gogora ahal ditugu. - 272 p. ; 20 cm. Marguerite Yourcenar - Société Internationale D'Etudes Yourcenariennes. Green Library. Describing Mishima’s demise as “le plus littéraire des suicides jamais accomplis” (223), Forest demonstrates how Bataille shares with the Japanese author a multifaceted appreciation for the interconnected systems of eroticism and violence, as well as a marked influence of the writings of Friedrich Nietzsche.10 On the connections between Mishima’s own preoccupations (and Yourcenar’s analysis of them) and the actual historical developments concurrent with his post-war literary activity in Japan, Langhorne argues that Mishima is “an author writing of his country in the throes of defeat, of a Japan, in fact, engaged with problems imported directly from the culture of our contemporary West” (521). - 2ª ed. (2019).

To learn about our use of cookies and how you can manage your cookie settings, please see our Register to receive personalised research and resources by email/doi/full/10.1080/17409292.2019.1745433?needAccess=true - (Literatura Alfaguara ; 232) 1980 Mishima ou la Vision du vide Mishima o la visión del vacío / Marguerite Yourcenar.

Marguerite Yourcenar, la première écologiste de France. However he is ordered to finish one of his pictures deposited in the emporer’s collections. Vendredi 3 novembre - 19 h - … Maindron asserts that what Yourcenar perceives in Mishima can only be an artificial image, an echo of the We use cookies to improve your website experience. - Barcelona : Seix Barral, 1988. 23, The Open Issue, pp.

330 quotes from Marguerite Yourcenar: 'Laws change more slowly than custom, and though dangerous when they fall behind the times are more dangerous still when the presume to anticipate custom. Series Collection Latomus 228 Available online At the library. As an example, Philippe Forest explores the dynamics of self and world, centering on what he names “l’intime” in the work of Mishima and Georges Bataille.

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Responsibility Rémy Poignault. Another member of the group finished the task, while the appointed second then himself also committed 9 Yourcenar is of course not the only twentieth-century French writer with whom persuasive parallels to Mishima’s thought can be established. Marguerite P. Davison in Color.

To protect our access to ETAS, the physical copy is temporarily not requestable.books, media & more in the Stanford Libraries' collectionsL'Antiquité dans l'oeuvre de Marguerite Yourcenar : littérature, mythe et histoire Marguerite Yourcenar may well be best known for her prize-winning novels that accent the trope of homosexuality, but there is another, equally engaging aspect to her work that highlights her originality: her deeply syncretic cultural perspective. In Marguerite Yourcenar’s story, an old painter, accused of lying, is sentenced to death : his pictures were more beautiful than reality.